And of course, a tilting screen is of little use when shooting upright format images.įortunately, like the other A7-series cameras, the A7 II has an excellent electronic viewfinder. While the A7 II’s tilting screen is useful when shooting low-level landscape-orientation images, like most screens it suffers a little from reflections and glare in very bright conditions. The Sony A7 sports and tilting screen which can be useful for awkward angles. The default settings are good, but it’s a good idea to keep an eye on which features you use. Each of the menu’s 12 slots can be customised to access any of 32 features. It’s also possible to customise the Function menu, accessed by pressing the Fn button on the back of the camera. Many of the buttons on the A7 II are customisable, so it’s worth spending some time using the camera and experimenting with different customisation settings. These elements make the camera feel comfortable and secure in your hand. On the back of the camera there’s a small but effective thumb-ridge, which has the same coating as the front grip. The A7 II has a nice, deep grip, with a textured coating that gives excellent purchase. You could be forgiven for thinking that it’s an SLR with a mirror slapping out of the way before the shutter opens. One surprise when you use the Alpha 7 II for the first time is how loud the shutter is. This, combined with the camera’s moisture and dust sealing, makes it durable. According to Sony, the sensor housing has been made stronger in the A7 II, with more magnesium alloy than in the original camera. Like the other cameras in the Alpha 7 series, the A7 II has a rather angular, but attractive old-school appearance. Other specification highlights of the A7 II include a sensitivity range of ISO 50–25,600 a 0.5-inch, 2.4-million-dot electronic viewfinder (EVF) a tiltable 3-inch RGBW 1,228,800-dot LCD screen a battery life of 350 shots built-in Wi-Fi connectivity Near Field Communication (NFC) technology a maximum continuous shooting rate of 5fps and a standard-shape hotshoe with extra contacts to connect accessories like the microphone adaptor. Picture Profiles offer the ability to set the gamma to Sony’s S-Log2 for reduced contrast and greater dynamic range, while the Time Code feature helps with scene identification and footage syncing from multiple cameras. For example, it can now record in XAVC S, AVCHD or MP4 formats. Sony has also given the A7 II some of the video features of the A7S. There’s also the the addition of Lock-on AF (Wide/Zone/Centre/Flexible Spot) to help follow moving subjects. When a stabilised Sony lens is used, the stabilisation effect is optimised, but not cumulative: either one or the other system is used.Īlthough the A7 II has the same hybrid AF system as the original A7, still on sale, Sony claims that new focusing algorithms enable a 30% increase in AF speed, with faster and longer high-speed drive and a 1.5x improvement in AF Tracking performance. This means that the sensor can move to correct for accidental camera movements in five directions during the exposure. The biggest news about the A7 II was that is was the first full-frame digital camera to feature in-body stabilisation. Power supply: NP-FW50 rechargeable lithium-ion battery (supplied) Key features Max Video Resolution: Full HD (1,920 x 1,080) at 60fpsĪutofocus points: 117 phase detection 25 contrast detection Viewfinder: 0.5-inch, 2.4-million-dot electronic viewfinder Sensor: 24.3 million effective pixel full-frame (35.2 x 23.9mm) Exmor CMOS The crazy thing is that it's now cheaper than most of Sony's APS-C mirrorless models, yet with a bigger sensor and IBIS! If you can do without 4K video, the Sony A7 II is a huge bargain today – though be aware that although it has phase-detect AF, its a couple of steps behind the latest models for both speed and sophistication. It's a lot better than the original A7 too, not least because it has in-body stabilization. In fact, it's taking on a new relevance as it replaces the original Sony A7 as Sony's cheapest 'old' full frame camera.
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